Meanwhile, Bobby the poseur has to work through a murder labyrinth to save his wife, but that game is mostly a distraction from the fact that Dr. John’s ex-wife Jill is still kicking, fulfilling John’s last wishes and kind of running around in fear as a corrupt cop named Hoffman (Costas Mandylor) continues to try to usurp Jigsaw’s legacy. The death traps come at such a rapid pace, you wonder who has time to set up all these elaborate games, one of which features the late Chester Bennington not saying one line, but rather, screaming through an entire scene. The flashbacks are constant, filling in the ever-retconned backstory of John Kramer and his minions.

A new character named Bobby (Sean Patrick Flanery) is introduced as the lead - a charlatan who’s amassed fame and fortune thanks to a self-help book he wrote after surviving a Jigsaw game, when in reality he was never a target of the killer at all - and a bunch of past survivors appear to fill out a self-help group and create new bends in the Jigsaw narrative. So, let’s play a game.ĭespite the fact that the franchise had accumulated more than $700 million over the course of six movies, and the fact that 3D cost a whopping $20 million to make, the seventh movie feels the cheapest by far. None of these movies is good compared to, say, The Shining, but compared to one another, there are true winners and losers here. As Jigsaw hits theaters, we’ve put together a ranking of all of the Saw movies so far. Saw’s effectiveness as a fable is in the eye of the beholder, but it gets points for trying. John Kramer, played by Tobin Bell) wanted to weed out the deviants and the ungrateful - but he typically gave victims a chance to redeem themselves and reclaim their souls with a fresh perspective on how to truly cherish the gift of life.

The question is: Were the Saw movies actually good enough to merit bringing this beast back out of retirement? The answer: … Sort of! Like the sin hunters of the ’80s, the franchise’s diabolical Jigsaw (a.k.a. Things have gotten quieter lately on the graphic suffering front, but the eighth entry in the Saw franchise arrives this weekend after a seven-year dormant period for the franchise, hoping to rekindle your interest in torture tourism. torture wave The Collector Hostel (and most of Eli Roth’s filmography) anything from Rob Zombie and The Human Centipede. The subgenre thrived in the aughts, with a slew of like-minded efforts like 2004’s Saw, which kicked off the mainstream U.S. Unlike the slasher movies of the 1980s or the exploitation horror films of the 1970s, the modern wave of torture films (or, as New York’s David Edelstein dubbed it, “ torture porn”) has been marked by highly stylized violence with landscapes designed for and devoted to pure punishment.

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